Gardiner Museum - 12 Trees (2014 & 2015)

Project 52: Week 52

Boy oh boy, does a year go by fast. Twelve months ago, I started this little personal project that didn't know would take over so much of my free time like it did. I started it out of sheer frustration with many less-than-stellar things happening in my life at the moment, and a need to put some of that energy into a personal project, with no expectations whatsoever, but I'm glad to be able to say I actually did learn a lot by doing something like this for an entire year.

The obvious thing would be to say I am now a better photographer, having shot with one camera and one fixed focal length lens for 52 weeks (although not exclusively with this camera), and very cheap ones at that. With all the limitations that came with this cheap camera setup, also came problems that needed to be solved and that is what I enjoy doing the most in life. So here goes, some of the things I've learned, in no particular order:

  • It really isn't about the camera, it's whomever is behind it.
  • But a good camera really, really makes it so much easier...      
  • It's all about practice. The more you do it, the better you get at it. Nobody is born with a photography eye—you train it.
  • On that note, not matter how frustrating and counter-intuitive is to operate a particular camera, you get used to it and it becomes second nature. Habit is a tremendous thing. 
  • A tripod and a little patience at night is better than all the image stabilization technology in the world
  • Most times, you don't need 5 lenses and 3 bodys. You only need one camera and one lens—the one you have it you (and this includes iPhones). And the smaller the better.

As much as I've enjoyed doing this project, and the tremendous things I've learned this past year, I wouldn't do it again any time soon. It has taken too much of my time, and in the end, I'm not sure if intentionally crippling my photography workflow is really a good thing. I have been more frustrated than not. This old hunk of metal had the worst menu system I ever experienced, the loudest and clunkiest shutter ever (DSLR or mirrorless), and its rather less than acceptable low-iso performance. 

For my last week, and in the vains of shooting things I never shoot, I decided to do a self-portrait. Well, of sorts: My ever-present wife was the one who pressed the shutter. As with most photographers, I rarely am in front of the lens, so it seemed a fitting ending for this project for me to be on the other side for once. It only made sense that I included City Hall as the background, a regular subject of my street shots, and the real highlight of 2015 in this city—the Toronto sign, left over from the Panam games.


Dance Arts Institute (formerly The School of Toronto Dance Theatre) 2013 - 2016

A collection of images from students shows

Performed by the students of all three years of the Professional Training Program

Choreography by Christopher House, Peter chin, Allen & Karen Kaeja, Sharon B. Moore, Tedd Robinson

Project 52: Week 51

Here we go, one more week left, and other shot at trying something I rarely do: Product photography. With the help of one of my wife's trusty troll dolls, a homemade lightbox, and the flashlight from my ol' iPhone 5 as the main light source, I've put the lowly E-PM1 to test for a quick and dirty macro studio session.

I'm not a happy camper. It's not bad, but the amount of Lightroom/Photoshop work needed was more than I can usually bare for this kind of for-shits-and-giggle project. The 5 year old sensor on the E-PM1 is shit. Shadow recovery? Next to none. Dynamic range? Forget it. But the real culprit is the lens. I think if I had a slightly better piece of glass in front of the Olympus, this would be a fair contest. But the constant f8 toy lens is seriously just that - a toy.


Project 52: Week 49

For the few weeks that I have left in this project, I wanted to try my hand on some stuff that I usually never do. Long exposure, day or night, is something I NEVER do, mainly because I'm just too lazy to carry a tripod. It's the polar opposite of street photography. It requires patience, trial and error, and visualizing the final photo in your head in a very specific way, unlike the quick shoot-and-run that is street.

If anything, this project is forcing me to try things that I would have never even considered in the past. This is definitely not the best long exposure that I could have taken, but I know now what to do next time to make it better.

It really helps to have a light, compact tripod. Carrying a big chunk of metal in a cold December night is a bit less painful when you can tuck it in your messenger bag.

The Olympus camera rig however...

It really produces some very sharp images (at least in the centre), but it is really a pain to use. Shooting long exposure means shooting in manual mode almost exclusively, and changing even simple settings requires too many button presses. The low-light capabilities of the old sensor is particularly not good with the dark skies. However, it's tiny and light, always a plus when it comes to portability.

Project 52: Week 46

It's been the warmest November ever, but Toronto had the first taste of winter in the form of light flurries. Which means I will need to find ways to shoot indoors, because cold. I hate the cold. In the meantime, here's a shot of Christie Pits while the temps were still in the double digits.


Gardiner Museum - Doors at 6 (2015)

Project 52: Week 42

When your crappy toy lens has a fixed f8 aperture, and your crappy mirrorless camera can barely handle 1600 ISO, you really need get resourceful when shooting in low-light. Looking for the bright spots, searching for some dramatic hard lighting, finding those solid reflective surfaces, and wasting a lot -a lot- of shots, until you get a decent one.


Project 52: Week 40

City Hall must be one of the Toronto spots I've shot the most. The obvious way to shoot this iconic building is the classic postcard pic - straight up front (now enhanced with the Toronto sign leftover from the Pan Am games). But the real beauty starts when you walk around the block that surrounds Nathan Phillips Square, and start looking at it from different angles. There's always an interesting way to shoot this building.

Project 52: Week 39

Definitely hit my all-time low this week with this project: I haven't taken a single photo with the "el cheapo" Olympus this week. Not one single one. Nada. Blame it on the new job, I say.

Instead, here's another reject from a few weeks past. As a Torontonian, especially living in downtown, you take for granted all the great art in the city because they just become part of the landscape after long enough, like this installation by multi-disciplinary Canadian artist Michael Snow. One of the things about these projects is that it forces you to see everyday objects and places in a different light.


Project 52: Week 38

I've spent a LOT of time at Sugar Beach this summer, and taken more shots that I could care to share. It seems adequate that this is the shot of the week, since I will likely not spend as much time there as I did in the last six crazy months.

As photographers, we often forget the reason why photography even exists in the first place. It's easy to get lost in pixel-peeping, technical perfection, and obsessive composition, when the original purpose of taking pictures is to capture moments and preserve memories.