I'm lucky I decided to do this project on the same year that Toronto was hosting the Panam games, so not only I got to enjoy some amazing free concerts, but got to snap shots like this with the infamous Toronto sign at City Hall.
Project 52: Week 31
Another week, another delayed post. This one is the latest I've posted so far, and I'm not proud. But life is hectic, and I still did manage to pull this one out from week 23. Not bad for a reject.
Project 52: Week 30
And the disappointment keeps mounting on. I just seem to have too much going on right now to devote a little more time to this fun project, which is a shame, considering the momentum I gaining after the half-way mark.
This is a reject from week 26, although I still think it's an interesting photo, especially with the reflection of the lady in the window and her yellow dress.
Project 52: Week 29
When I first started this project back in January, I anticipated winter being my worst enemy. Toronto's chilly temperatures during the cold months are usually not good motivators to get you out and shoot. Turns out summer is actually just as bad. The insane number of events and gigs are forcing me to use my "real" cameras, and my cheap Olympus hasn't seen much action lately.
Fortunately, Kensington market never lets me down, so this week's pic is the iconic sign from this beloved Toronto neighbourhood. It's somewhat hidden, and the top level of the parking lot building in the heart of the market, so many visitors miss it, including locals.
It's no secret that Kensington market is my favourite hood in the city, hands down. Nowhere in Toronto can't you get a mix of cultures, characters, amazing (and cheap!) food, with a genuinely down-to-earth vibe, with little to no gentrification. Let's hope it stays that way.
Project 52: Week 28
I've been busy with a crazy mix of day job, freelance work, and actual paid photo gigs, which didn't leave me much time for shooting for fun. This is the problem with gear-centered projects - You have to bring the chosen camera with you everywhere and shoot with it most of the times. As much as I grew to love my E-Pm1 setup, versatility is not its main strength. I would be amazed if one day, I sell a photo taken with this camera and lens. It would be the perfect finale for this year-long project.
Busy as I may, Sunday brunch is mandatory if you live in Toronto, and I couldn't help snap a pic of this little guy looking up on me at Kensington Market. I have a soft spot for tiny, friendly dogs (who doesn't?).
Project 52: Week 27
Call it instinct, call it practice. Sometimes, you just know that there's a picture happening in front of you. Luckily, you have your trusty camera in your hand, you raise the viewfinder to your eye, and press the shutter, quickly, a succession of shots. Then the moment is gone. And you're so proud of yourself for being able to capture a fleeting moment, to document life as it happens, to truly represent a fragment of time, never to be repeated again.
Except, you forgot to reset your settings from the lat picture you took, so you underexposed the shot by 3 stops. Translation: Too. Damn. Dark.
Thank god we have technology these days, that recovering a photo that would have been lost in the days of film, is now a matter of a few minutes spent in Photoshop/Lightroom.
Lesson to be learned: ALWAYS reset your camera settings when shooting street.
Project 52: Week 26
Halfway there!
It really doesn't feel like it's been six months that I started this personal project, and been shooting with my cheap camera set up. The goal was to become a better photographer, to see the photo in my head before taking it - to shoot less and keep more.
From the 26 photos I've taken so far, many are forgettable. But there are a few that are good—I think so, at least—and less than a handful are keepers. And not just "cheap camera keepers"—they are actual keepers, regardless of equipment used to capture them.
However, the main lesson learned so far is that gear is really least important element in making the image. I am actually actively minimizing my gear, or actively thinking of buying older or used cameras and lenses. Not only is this a blessing to my pocket (a big plus), but the confidence that I can shoot the images I want with any camera is a bigger benefit.
I just ordered a used Fuji X-M1 body and a brand new Fuji 18mm lens (won on eBay, at about 1/3 of retail price). A two year-old camera with a (*gasp*) three-year old lens. Coupled with a cheap 28mm equivalent optical viewfinder, set at hyperfocal distance, this is a street photography setup that has nothing to envy to the Leica's of the world, at a bargain price. Can't wait to shoot with it.
Project 52: Week 25
Almost seven months in, I noticed that there are weeks where the picture presents itself, the choice is obvious. And there are other weeks when the choice is not so obvious, mainly because most pictures are equally mediocre...This is one such week, and the above pic is the most interesting one of the bunch. There's always next week (sigh).
Project 52: Week 24
Summer festival season has official kicked in Toronto, where there's roughly 17,000 events happening all over the city ever weekend. A did a lot of walking outdoors, a lot of picture-taking, and the picture of the week was one taken indoors at the Eaton Center. Irony...
In case it's not obvious, what caught my eye was the enormous print-out of the Zara model in comparison to the tiny people. Almost like giant's walking among us (shopping?)...
Project 52: Week 23
Summer festivals and events are just heating up in Toronto, and the Bubble Battle 2015 must have been one of the quirkiest ones yet. More like a picnic than a "battle", the highlight of the day was the guy making giant bubbles for the children to pop.
funny enough, the Naked Bike Ride was happening just meters away at the same time. Not one conservative parent made a fuss about it, or covered their wee ones eyes. A testament of Toronto's inclusiveness and liberal mindset maybe, but I know this wouldn't happen in many cities around the world, and one of the reasons why I choose to live here.
Project 52: Week 22
Summer in Toronto wouldn't be the same without its many, many street festival. They are not only an excuse to stuff your face with more than food and drinks than you should be consmuing - they are also a great opportunity for street photography.
At the Dundas Street Featival (where this week's pic was taken), I saw many photographers lugging they're massive Canon and Nikon DSLR's, with equally massive lenses, surely costing upwards several thousand dollars. I'm more and more impressed on how small and unobtrusive my little cheap-o Olympus E-Pm1 setup is, and how it never lets me miss a shot, all for less than 200 bucks. So much, that it's been my main shooter the whole weekend, and it would still be even if I wasn't doing this project.
Simplicity is the key in street photography, and a camera so simple that doesn't even give you the option to waste time in zooming in or out, select aperture, focus, etc is the best camera to have. Just compose, point, and shoot.
Project 52: Week 21
It's hard enough for me to take photowalks during the week, and it doesn't help when it rains over the weekend. While I got some interesting shots with my weather-sealed Olympus E-M1, the E-Pm1 with the body cap lens didn't see much action. But I still managed to snag a shot in between downpours.
Project 52: Week 20
I wish I could put my cheap camera set up through more diverse types of photography other than street (which I've been shooting exclusively for weeks now), but street is just so much fun and accessible in the warmer months, I can't help myself. Eventually, I want to try my hand at some studio portraits and more planned shoots, but I guess I can always do that during the cold and rainy days...
Project 52: Week 18
Full Disclaimer: This is not the picture I intended to take. I just pointed the camera to the big cherry tree in the background, when the glamour lady walked in to the frame.
One of the few benefits of the crappy 15mm body cap lens is that you set it to infinity, point, and shoot. The f8 aperture ensure most things in the frame are (relatively) sharp at a safe distance - about 1.5~2 meters.
On a side note, every year I tell myself I won't be back to see the cherry blossoms at High Park, and every year I still come back. It's just too crowded, and there are only a limited amount of pics you can take before they all start looking the same...but it is really a good photo op (both for the cherry and the people), especially on a warm spring day like it was last Saturday. We don't get many of those in Toronto, so might as well make the most of them.
Project 52: Week 17
This seems to be a regular scene in Dundas Square nowadays...
Project 52: Week 16
I'm trying my hand at some street photography with the E-Pm1 setup this week. When I decided to start this project back in December last year, and settled on the 15mm Olympus body cap, I knew it had the most potential on the streets, with it's fixed f8 aperture and zon-focusing nature.
Project 52: Week 15
A super busy week with work, both full-time and freelance, meant I late posting for the first time since I started this project! Only for a day, but my clean record is broken...
On a positive note, this is also the first time that I had more than one photo that I considered was worth posing. Especially interesting when considering that I'm shooting less frames with this camera, which means I'm getting more keepers from less photos! Either I'm getting better, or the warm(er) weather is bringing more photo opps. Whichever it is, I hope this trend continues.
Project 52: Week 14
Today was the first time since November last year that Torontonians were able to enjoy a nice, warm, sunny day.
I would normally venture to my favourite parts of the city, like Kensington Market or the Waterfront, but my wife had the brilliant idea of hiking through the beltline that runs along the DVP. This trail can take you from downtown, all the way up to St. Clair and it's a nice respite from the concrete, just a short walk from Yonge & Bloor.
Of course it lead to some awesome shutter therapy opportunities, and the pic of the week is of a rusty but still functional rail bridge, full of graffitis and empty beer cans. I have a feeling that this is were high school kids go drinking, smoking, and do other questionable activities on hot summer nights...
I also took my Yashica D with me, so shots from that camera will be posted soon, whenever I finish the roll. Which could be next winter, as the current pace (*sigh*)
Project 52: Week 13
One of the best things about a long term challenge (photography - or any kind really) is that it forces you to pay attention to things that you normally wouldn't.
Anyone that's bee to the Toronto City Hall building has surely noticed that giant mural near the main entrance. I'ts not exactly conspicuous. It's striking and monumental, due to the sheer amount of nails that i's made of (lots).
So while at City Hall on Saturday waiting for the Toronto Pillowfight to start, I took shelter from the wretched Lake Ontario wind and snapped this pic. My personal philosophy with public works of art, whenever I'm photographing them, is to give proper credit when available. Today I learned that the mural is the work of British born sculptor David Partridge, and it's called Metropolis, and happy that I know a piece of Toronto trivia that had never bothered to learn in my 13 years here, thanks to this project.
Project 52: Week 10
One of the best things about long-term photo challenges is the discipline and sense of responsibility you learn by bringing your camera everywhere and keeping an eye for that shot of the day/week. Also, it's a pain in the ass when you have too much shit going on, and you can't seem to manage to find the time or energy to shoot, not mentioning how much of a failure it makes you feel when it's day 7 and there is no "it" shot.
Week 10 photo comes after one of those moments, where I reluctantly brought along my E-pm1 (it's tiny, fits in my jacket pocket, but it's still annoying) while visiting a new pizza joint in the neighbourhood. Definitely not my best, but definitely my style, and that's the whole point of this project.
Photography is like pizza: Even when it's bad, it's good.